Dr Chrishandra Sebastiampillai

Lecturer in Film, Television and Screen Studies
School of Arts and Social Sciences

+603 5514 6000 
Room 2-6-015

Dr Chrishandra Sebastiampillai is Lecturer in Film, Television and Screen Studies at Monash University Malaysia. She completed her PhD in Film and Television at Monash University, exploring a nationally specific form of stardom in Philippine cinema - the ‘love team’, or the film couple in the early 1970s, a period that coincided with the early stages of Martial Law.

This research builds on her earlier Honours dissertation, which examined a contemporary love team in popular Philippine cinema. Her research on Southeast Asian stardom is ongoing, with recent publications on Henry Golding’s Eurasian stardom, the ‘love teams’ or film couples of popular Philippine cinema, and Philippine stardom.

She teaches Southeast Asian cinema at Monash, a unit that focuses on the established and emerging cinemas in the region in addition to an introductory course to the major and a unit on documentary filmmaking.


PhD (Film and Television) Monash University

BA (Hons) (Film and Television) Monash University

Research Interests

Her research interests include film stardom and celebrity, representations of race and identity in cinema, Philippine cinema and Southeast Asian cinema.

She is particularly interested in how Southeast Asian cinemas have distinct identities while still sharing broad themes across the region that include the struggle for independence, reflecting on colonial histories, building national identities in the aftermath of colonization, and representations of modern individuals that engage with questions of tradition in Southeast Asian societies.

Research Projects 

Theorizing The Film Couple

This research stems from her PhD thesis and examines the ubiquitous film couple in Philippine cinema. Building on the work in star studies that most frequently focuses on individual stars, she looks at how the combination of two stars create compelling and complex film couples that tell us so much about the societies and cultures they originate from. This project interrogates notions of love, courtship, romance, family, gender, ethnicity, class, religion and many others in an investigation of how film couples work, and their unique relationship with their industry and society.

Southeast Asian Heritage Houses on Screen

This project explores how heritage houses in Malaysia are portrayed on screen, particularly the late 19th century Cheong Fatt Tze mansion in Penang and the early 20th century Carcosa Seri Negara in Kuala Lumpur. Both buildings have been featured in international films including the recent Crazy Rich Asians (2018). She will explore issues relating to their history including how these buildings are represented in various international films, the locations they stand in for, the genres that they feature in, the relationship of the local film and tourism industries with the buildings, and  the role of colonial legacies and migrant narratives in their past and current administration.

Subsequently, she plans to expand the project to include heritage houses on screen in neighbouring Indonesia and the Philippines to create a comparative case study of heritage, nostalgia, memory and cinematic representation in the region.


Before joining Monash University Malaysia as a full time lecturer, Chrishandra tutored and lectured extensively within the Film and Communication majors since 2014. For Film Television and Screen Studies (FTVSS), she teaches an introductory course in addition to a third year unit on Southeast Asian cinema. She also lectured for a Masters unit in Communication titled ‘Celebrity, Fashion and Publicity’, and was a sessional lecturer in Sunway University.

Over the years, she has tutored for a range of FTVSS subjects including Film Studies: Forms and Approaches, stardom and celebrity, and film genre. For Communication, she has tutored subjects on communication policy, media, culture and power, and an introductory unit on communication technologies and practices.

Chrishandra believes that teaching should be simple and relatable - that even difficult concepts can be made accessible by using examples that are relevant to the audience. This has in the past included using memes about Captain America to teach the liberal democratic approach to culture, and stick figures to illustrate Althusser’s concept of interpellation.


Sebastiampillai, C. (2020) ‘Nora Aunor vs Ferdinand Marcos – Popular Youth Films of 1970s Philippine Cinema’, in Southeast Asia On Screen: From Independence to Financial Crisis (1945-1997), edited by Gaik Cheng Khoo, Thomas Barker, and Mary Ainslie. Amsterdam University Press.

Sebastiampillai, C. ‘Crazy Rich Eurasians – White Enough to be Acceptable, Asian Enough to be an Asset, in Celebrity Studies Journal Special Issue on Starring Asia: Asian Stardom and Celebrity.

Sebastiampillai, C. ‘One More Second Chance: Loveteam Longevity and Utility in the Era of the Television Studio’, in Film Stardom in Southeast Asia, edited by Jonathan Driskell. Edinburgh University Press.


Internal grant

Chrishandra Sebastiampillai, School of Arts and Social Sciences, Monash University Malaysia, SEED Grant, 2021, RM15,000.

Agata Frymus (PI), Chrishandra Sebastiampillai, Shyamala Dhoraisingam, Thaatchaayini Kananatu, Monash University Malaysia Interdisciplinary ECR Grant, 2022 – 2024, RM70,000.

External grant 

Teh Pei Lee (PI), Andrei Kwok, Jasim Uddin, Daniel Loi & Chrishandra Sebastiampillai,

Redesign At iHome (RAI) Project: A Collaborative Initiative to Enable Malaysians to Age-In Place, Asian Integrated Medical Sdn Bhd Sdn Bhd (iElder.Asia): AUD8,731.00, Szetech Engineering Sdn Bhd: AUD970.00 (2022-2024).

Areas of Research & Supervision

Dr Chrishandra Sebastiampillai is interested in supervising research in the following areas: film stardom and celebrity, representations of race and identity in cinema, Philippine cinema and Southeast Asian cinema.

Postgraduate (Monash University)

Gwendolyn Bellinger (with main supervisor Assoc. Prof. Andrew Ng Hock Soon)

A Ghostly Inheritance: The Cultural Legacy of Spectres in Postcolonial Literature.


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